The 4th episode of Live Chat Series( part of our initiative New Forms Of Presence) — presented by MDFF Greece—Athens’ (Nov 6–8) guest Daniel Gava, Brand Strategy Advisor to the architecture and design industry is titled “Perspectives,” and touches upon the changing perspectives and the evolution that change carries in different fields.
A conversation with Nigel Coates
Nigel Coates shares his observations regarding the social evolution, and the city as a living organism. Furthermore, the new architectural paradigms in the sector and his practice, re-articulating the ways we evaluate buildings, architecture as a gift to humanity — part of a transactional culture, the body as a metaphor of architecture, amongst others.
Nigel Coates
Nigel Coates (Malvern, b.1949) has consistently challenged the meaning of architecture and the object. His mission is to bring equal parts of art and intelligence to architecture and design; whatever the space or the object, Coates will fill it with passion, irony and instinct. After training at the Architectural Association, soon Coates became an original design force, with many of his ideas drawn from the ‘confusion and excitement’ of urban life. His inventive narratives have translated into many buildings, interiors and exhibitions around the world, particularly in Japan and the UK. More experimental work has been shown in an art and design context, including Ecstacity at the Architecture Association (1992), Mixtacity at Tate Modern (2007), Hypnerotosphere at the 2008 Venice Architecture Biennale, and Picaresque at the Triennale Design Museum. He is much in demand as a designer of lighting and furniture, collaborating with many Italian companies including Alessi, Ceramica Bardelli, Gebrüder Thonet Vienna, Fornasetti, Fratelli Boffi, Glamora, L’Abbate, Poltronova, Richard Ginori, Slamp, Terzani and Varaschin. Examples of his work are held in several museum collections including the V&A in London and FRAC in Orléans. His book’ Guide to Ecstacity’ was published by Laurence King in 2003 and his latest, ‘Narrative Architecture’, was published by Wiley in 2012.